‘AKRON SOUND’ MUSEUM & BOOK CELEBRATE THE HEYDAY OF THE MIDWEST’S PUNK CAPITAL
CALVIN RYDBOM, WAYNE BECK COMMEMORATE THE ERA THAT PUT AKRON MUSIC ON THE MAP
There was something about Akron in the 1970s-80s that lit a spark for many local musicians and performers. The result was a particular sound and style that put the Rust Belt city on the global radar, at least for a little while. Maybe it was the younger generation’s distrust and discontent of the government born out of the nearby May 4 shootings at Kent State University. Perhaps it was the discovery of New York punk rock that changed local players’ perception of what they could create and what audiences wanted to hear. Maybe it was the grit, the bootstrapping and the surge of rebellious energy that tends to emerge from hard times. Maybe it was a combination of all those things, and more.
Calvin C. Rydbom, prolific archivist and Stow resident, aimed to not only explore the reasons Akron received international infamy through bands like Devo, The Bizarros and The Waitresses, but also encapsulate a very specific moment in the city’s history where creative folks were pioneering new sounds that attracted music fans and media well outside of the Rubber City.
Rydbom’s new book, “The Akron Sound: The Heyday of the Midwest’s Punk Capital,” is arguably the definitive resource for anyone looking to learn more about sounds coming out of Akron in the ‘70s and ‘80s....
“Wayne (Beck) was a mainstay in the party scene in the late ‘70s and ‘80s then went to LA professionally for many years, came back here and said, ‘You know, I think it would be cool to celebrate that time in Akron history,”...
Rydbom aims to define what exactly the “Akron Sound” is in his nonfiction book. It’s not necessarily New Wave, he writes. It’s not an actual sound like Seattle’s clearly identifiable grunge. It’s a little punk rock, but not every band evoked the sense of aggression and defiance common with the genre. Through his interviews with Akron Sound pioneers like Buzz Clic from the Rubber City Rebels and King Cobra and Chris Butler of Tin Huey, The Numbers Band, The Waitresses, Half Cleveland (and many other projects), there are jokes and guesses, but no one can really give a clear answer.
“Just different; it was just Akron,” Rydbom writes. “Just some really cool music by a bunch of young musicians who didn’t want to follow their folks into rubber factories.”
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