This is just a part of a longer piece from Longreads on the Detroit punk scene in the 80s.
An Oral History of Detroit Punk Rock
In Detroit’s empty buildings and troubled streets, restless kids squatted, ran punk clubs, pressed their own records, and made their own magazine. They mostly stayed out of trouble.
Detroit is known for many things: Motown, automobiles, decline and rebirth. This is the story of Detroit’s punk and hardcore music scenes, which thrived in the suffering city center between the late-1970s and mid-80s. Told by the players themselves, it’s adapted from Steve Miller’s lively, larger oral history Detroit Rock City, which covers everyone from Iggy and the Stooges to the Gories to the White Stripes. Our thanks to Miller and DaCapo for sharing this with the Longreads community.
by Steve Miller
Rob Michaels (Bored Youth, Allied, vocalist): Dave Rice and Larissa took me to see the Necros, and the next thing I knew I was friends with all those people. *At that time if you saw someone who looked punk at all, you would cross the street to talk to them—it was a fraternity.
70s Detroit band, Flirt (Courtesy of Rockee Berlin) |
Keith Jackson (Shock Therapy, guitarist): That scene had girls, but they all died. It’s weird when you look at it, like these chicks that were hanging around all seemed to pass away over the years.
Hillary Waddles (scenester): There were girls, but we were all people’s girlfriends. It just wasn’t the time for that yet—girls didn’t get in bands; you didn’t get the sense that you could be anything but a groupie or a girlfriend.
Gloria Branzei (scenester): It was a little dick fest, and they didn’t like girls. They were too cool for that shit; it slowed them down.
Hillary Waddles: Those kids that got into the straight-edge nonsense really didn’t like girls, some of those guys from Ohio. I was terrified to be down there in that area, but we went. I was a bougie girl from northwest Detroit, and here were all these suburban kids with no survival instincts. I mean, I may have been from there too, but I still grew up in Detroit, and you pay attention.
Gloria Branzei: It was a really violent scene. I would kick someone’s ass for the hell of it. At that time girls and punk rock did not go together at all. It was just rock-and-roll chicks.
Tesco Vee: Washington, DC, had more girls in its scene, but it was a similar scene. In Detroit there were a hundred core kids that made up the entire scene.
Sherrie Feight: Going to shows in Detroit meant you were gonna get hit. I still have a scar on my leg from being in the mosh pit.
Jon Howard (scenester): There were a lot of people who knew about these older clubs before but couldn’t get in because they had ID checks. I knew about these places when I first started shopping for records at places like Sam’s Jams, but I was fifteen. My dad lived in San Francisco at the time, so the winter of ’81 I went to the Mabuhay and saw Dead Kennedys, Husker Du, Church Police, Toxic Rea-sons—all these great bands. I came back here, and we had the Freezer for all ages. It opened the door for music for a lot of people, so kids could see live bands now. And hardcore was the music that was their first experience.
Read the full piece here.
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